Karina Pandya

Rohit George is a Mumbai-based content writer, editor, and stand-up comedian with over six and a half years of experience in digital publishing, editorial writing, and long-form content creation. Currently working as a freelance writer and editor, he creates thoughtful, research-driven content across subjects such as artificial intelligence, sustainability, education, wellness, tourism, remote work culture, psychology, and social behaviour trends. Living with Cerebral Palsy — a neurological condition that affects movement, muscle tone, and balance — Rohit has built a career rooted in resilience, authenticity, and storytelling. His work combines editorial depth with modern digital sensibilities, balancing analytical insight with accessibility and emotional honesty. In this candid conversation with Karina Pandya, he opens up about storytelling, creativity, AI, and finding one’s voice in an increasingly automated world. 1. Walk me through your content creation process — from idea gener...

Also known as the trial version of modern adulthood, millennials — the generation I proudly belong to — genuinely feel like the best generation by far. We were raised in the chaos of the early internet, where there was zero supervision, one family computer shared between siblings, pop-up ads attacking us every four seconds, and an unshakable confidence that everything we did online was absolutely correct. It was a strange, beautiful time. The internet back then was wildly different from what it is today. If we missed one episode of our favourite TV show, that was it — gone forever unless someone miraculously recorded it on a CD or knew a cousin with cable. There were no streaming platforms, no “watch later” options, and definitely no rewinding emotional scenes to post screenshots online. Today’s Gen Z generation can stream entire seasons overnight, fast-forward boring parts, rewind dramatic moments, and curate their feeds so perfectly that even their breakdowns look cinematic. Aren...

A golden era of power ballads, the 1980s left an unforgettable mark on the world of love songs. Dramatic, slow-building, and overflowing with emotion, these tracks somehow felt instantly familiar the moment they came on the radio. They wore their hearts openly on their sleeves — grand, vulnerable, and unapologetically sincere. Unlike much of today’s emotionally detached music, these songs never pretended not to care. They embraced heartbreak, devotion, loneliness, hope, regret, and longing with complete honesty. Every generation inherits songs that feel strangely personal, even if they belong to another era. Without permission, they become part of our own stories. Whether heard during late-night drives, family gatherings, rainy evenings, or unforgettable movie scenes, these songs attach themselves to versions of ourselves we can never fully let go of. Over time, they stop becoming just songs and instead become memories, emotions, and pieces of identity. When I Want to Know What Love ...

Writing is perhaps the most liberating thing I engage in — whether I’m reviewing movies, plays, or books. Yet one question always lingers in my mind: who truly deserves the credit for a story? Is it the writer of the play, the author of the book, the filmmaker behind the movie, or can any of us claim a part of it as our own? A playwright writes a script, a director transforms it into a film, an audience interprets it through their own experiences, and sometimes a son or daughter inherits the legacy of the creator. A studio may even own the rights to a film adaptation. So, who can really claim ownership of the writing? And what about the critic who dissects every plot and uncovers layers of meaning? A writer may spend years drafting a book, a screenplay, or a play. Logically, the answer appears simple: the work belongs to its creator. However, once a story is released into the world, it no longer belongs to just one individual. A play may have meant something entirely different to its...

Helly Shah is an Indian spoken-word artist who has been making ears perk up and heads turn with her crisp, relatable, and soul-soothing content. Her poetry revolves around modern relationships, friendships, growing up in your twenties, gender expectations, loneliness, nostalgia, and identity. She gained immense popularity through her collaborations with Unerase Poetry and has now become a widely recognised voice in the spoken-word scene. Some of her most loved pieces include Dosti Ki Breakup, What Society Says No to Men, Mujhe Abhi Shaadi Nahi Karni, 25 & Single, and Marriage Material. She has shared the stage with artists such as Priya Malik, Yahya Bootwala, Amandeep Singh, and Nidhi Narwal. Calling herself an “accidental writer,” Helly draws inspiration from books, conversations, and her observations of people and everyday life. She has also performed at events such as YouTube FanFest and NH7 Weekender. Her performances, usually delivered in Hinglish or English, feel natural, ...

One of the most recognisable names in the Indian stand-up circuit today, Azeem Banatwalla has quietly built a reputation as one of India’s smartest and most distinctive comedians. Over the past decade, he has created a space for himself through intelligent observational humour, political satire, and an unmatched ability to turn everyday urban frustration into comedy gold. With two stand-up specials to his name — Out of My System (2017) and Problems (2019), both Amazon Prime Video exclusives — Azeem has performed across the globe, including at prestigious platforms such as the Melbourne International Comedy Festival and the Edinburgh Fringe Festival. He is also an integral part of the comedy collective East India Comedy, whose sketches and videos have collectively crossed over 100 million views on YouTube. But what truly makes Azeem Banatwalla stand out is not just what he jokes about — it is how he approaches comedy itself. We are currently living in a stand-up ecosystem dominated by...

In a world where we all seem so familiar with one another, do we really know each other? Exploring human connection through a moving musical play starring Anupam Kher and Swaroop Sampat, Jaane Pehchaane Anjaane poses a question to us all: how well do we truly know the people we call our own? Through relationships spanning different generations and stages of life, the play explores an unsettling reality that while people may appear familiar on the surface of it all, many carry an unspoken loneliness within them. Navigating companionship, emotional distance, separation, friendship, and silence, the play reminds us that even the closest relationships can sometimes feel strangely distant and perhaps even lonely. What makes the experience even more powerful is the sincerity of the performances. Anupam Kher, returning to the stage after nearly fifteen years, brings warmth, vulnerability, and emotional depth to his character, making every pause and expression feel deeply personal. Swaroop ...